
The scenes where Akbar learns to worship Hindu lord from behind the transparent curtain Jodha sees his sword practice and he knowingly shows his valour to his wife but it isn’t with an egoistic pride but with little shyness and lovely pride, attention that any husband likes to receive from his wife and silently enjoys, that happiness that a husband gets when seen, call it sight adichufied by his wife is a breeze. With mutual respect and admiration which are the key factors in any relationship, Jodha and Akbar starts to work on their relationship where equal efforts come from both sides. Despite coming from different cultural backgrounds, respect plays a pivotal role in their relationship. Akbar starts to fall for her feminine nature and individuality, someone traditionally trendy in that age. People get lost on hearing such compositions, Akbar isn’t an exception.Īs Jodha and Akbar start their marital journey going through emotional upheavals, Jodha starts to fall for his bravery and organization skills. “Khwaja Mere Khwaja” is another divine composition about the glory of god, beautifully penned by Kashif.

Awesome rendition by Bela Shende and a spectacular composition by ARR. His songs sound like Kabir ke Dohe, Rahim ke Dohe. He is another proof that religion isn’t a barrier for souls which contemplate on the supreme power be it Allah or Krishna. “Tum bin kaun samjhaye” suits for any situation in life. No one dares to understand her situation expect the lord. The way she cries and sings ‘Mana Mohana’ tells it all. Not sure whether the original Akbar treated her with so much respect. Akbar and Jodha lead different life styles and political marriage is fixed. The one that many people fail to acknowledge or accept. (this post doesn’t support polygamy though). Could question the plot, in what way does it speak about something called true love. Guess, with the running age qualified to write one. It is a long time wish to write something totally romantic line by line which is totally practical with less fantasy Accompanied by blissful ARR musical and rich rani costumes.
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Staring Hrithik Roshan, Aishwarya Rai and Sonu Sood in the lead roles the movie is a treat to eyes and takes to Mughal period. Also on screen showcases the beautiful bonding between a Brother and a Sister. So, beyond the history, Ashutosh Gowariker would have done a fantastic job in capturing all the emotional moments of a forced marriage with someone from a different cultural background. So if someone feels they were Jodha or Akbar in their previous birth, movie isn’t responsible for the imaginations like ‘Chandramuki ya ninna, Chandramuki ya nenachu kitta, Chandramuki ya maarina’.My mother always warns. It is okay to get into technical details and analyze what is fact and what is fiction but within tolerable limits.
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Enga dhan enaku prasavam paathanga’, like the one that came in Vijay Tv long back. And in the process of finding the answers we mostly stand drained at the end of the endless tunnel.Ībove all, digging much on such stuffs might lead to something like ‘Naan dhan Jodha Akbar, in my previous birth. Something similar to asking questions like ‘Why it has to happen only to me?’, ‘Why was I disrespected by so and so?’, ‘Why someone can’t be empathetic?’, ‘What will happen after death?’ We the people do have the right to question but answers don’t come and for some questions it is better not to get answers. Those days it was official avoiding political damages most probably.ĭebating for facts when it comes to history could possibly be a waste of time ending up in “Varalaaru miga mukkiyam amaicharae” moments. These days’ people have affairs because they are emotionally damaged. It is about constructive or destructive scenarios created. No one wants to be with someone who has eyes on everyone or hesitate to tell that they are taken.


With the entire history in hand and polygamy that existed (now a day’s affairs or hook ups) from an emotional perspective may not give a good view about most of the kings in India or any man/woman for that matter.
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The original historical facts may or may not match with what people have been taught or heard about Abu’l-Fath Jalal-ud-din Muhammad.
